Grizzly Bear

Grizzly Bear released Yellow House in 2006. It was a slow, steady and stunning ride—boundless in scope and elegance. Given the album's otherworldly charm and staying power, it's hard to believe three years have gone by.

That might seem like a long time. But given Grizzly Bear's hectic touring schedule, including stints with Radiohead, TV On The Radio and Feist—as well as several performances during a five-night tribute to Paul Simon at the Brooklyn Academy of Music, a co-headlining show with the L.A. Philharmonic, and the release of Friend, a 10-song EP of re-recorded and re-worked songs, collaborations and covers—all of this seems very reasonable. They've been busy.

But about a year ago, singer/songwriter Ed Droste, drummer Christopher Bear, bassist Chris Taylor and singer/songwriter/guitarist Daniel Rossen —whose other band, Department of Eagles, released the sublime In Ear Park last fall—began passing demos around and working together creatively in different pairs and permutations. A few months later, blessed with producer/engineer Chris Taylor's willingness to transport his recording equipment, they began the recording process for Veckatimest, which would unfold over the next six months in three very singular locations. And in many ways, it is the recording process that reveals this record—each space catalyzing different interactions, inspirations, and ultimately, songs.